John Zeimbekis on Google scholar<\/a><\/p>\n Education<\/strong><\/p>\n Admission to the School of Civil Engineering, University of Patras. Selected publications<\/strong><\/p>\n Zeimbekis, J., “Perceptual warrant and internal access”, Philosophical Studies<\/em> 180, Issue 1, 2023: 191-206. https:\/\/link.springer.com\/article\/10.1007\/s11098-022-01897-0<\/a><\/p>\n Casati, R., Kulvicki, J. and Zeimbekis, J. “Borgesian maps”<\/a>,\u00a0Analytic Philosophy<\/em> 63, Issue 2, 2022: p. 90-98.<\/span><\/p>\n Zeimbekis, J., “Malleability or cognitive effects on recognition?”<\/a>, book symposium on Dustin Stokes, Thinking and Perceiving<\/em>, Brains Blog, Sept. 2021.<\/p>\n Zeimbekis, J., “Pictorial experience and perceptual activity”, in J. Pelletier and A. Voltolini,\u00a0Pictorial Experience<\/em>, New York: Routledge, Routledge Research in Aesthetics, 2019; pp. 93-124.<\/p>\n Zeimbekis, J., “La Beaut\u00e9”,\u00a0Petit Trait<\/em>\u00e9<\/em>\u00a0des Valeurs<\/em>, Ed. J. Deonna and E. Tieffenbach, Paris: Ithaque, Collection Science et M\u00e9taphysique,\u00a02018; pp. 50-60.<\/p>\n Zeimbekis, J., “Perceiving facial emotions: late visual effects?”, extended invited comment on D. E. Gatzia, “Cognitive penetration and top-down modulation in visual perception”,\u00a0Minds Online<\/em><\/a>, Sept. 2016.<\/p>\n Zeimbekis, J. and Raftopoulos, A.,\u00a0<\/em>The Cognitive Penetrability of Perception: New Philosophical Perspectives<\/em><\/a>, Oxford University Press, 2015.<\/p>\n Zeimbekis, J.,\u00a0“Seeing, visualizing and believing”<\/a>, in Zeimbekis and Raftopoulos,\u00a0The Cognitive Penetrability of Perception<\/em>, Oxford University Press, 2015; pp. 298-327.<\/p>\n Raftopoulos, A. and Zeimbekis, J.,\u00a0“Cognitive Penetrability: An Overview”<\/a>, in\u00a0The Cognitive Penetrability of Perception<\/em>, Oxford University Press, 2015; pp. 1-56.<\/p>\n Zeimbekis, J., “Why digital pictures are not notational representations”,\u00a0Journal of Aesthetics and Art Criticism<\/em>, 73.4, 2015: pp. 449-453.<\/p>\n Zeimbekis, J., “Color and cognitive penetrability<\/a>“,\u00a0Philosophical Studies<\/em>\u00a0165.1, 2013: 167-175<\/p>\n \u00ab\u0397 \u03b4\u03b5\u03af\u03be\u03b7 \u03c4\u03cd\u03c0\u03c9\u03bd \u03c3\u03c4\u03b7\u03bd \u03b1\u03bd\u03c4\u03af\u03bb\u03b7\u03c8\u03b7 \u03ba\u03b1\u03b9 \u03c3\u03c4\u03b7\u03bd \u03c0\u03c1\u03ac\u03be\u03b7\u00bb,\u00a0\u0394\u03b5\u03c5\u03ba\u03b1\u03bb\u03af\u03c9\u03bd<\/em>\u00a029\/1-2, 2012: 167-175.<\/p>\n \u0396\u03b5\u03ca\u03bc\u03c0\u03ad\u03ba\u03b7\u03c2, \u0399., \u201c\u0393\u03b5\u03b3\u03bf\u03bd\u03cc\u03c4\u03b1 \u03ba\u03b1\u03b9 \u03b1\u03be\u03af\u03b5\u03c2 \u03c3\u03c4\u03b7\u03bd \u03b1\u03b9\u03c3\u03b8\u03b7\u03c4\u03b9\u03ba\u03ae\u201d, \u03c0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u03c4\u03bf\u03c5 \u03b4\u03b9\u03b5\u03b8\u03bd\u03bf\u03cd\u03c2 \u03c3\u03c5\u03bd\u03b5\u03b4\u03c1\u03af\u03bf\u03c5 \u039a\u03bf\u03c3\u03bc\u03ac\u03c2 \u03a8\u03c5\u03c7\u03bf\u03c0\u03b1\u03af\u03b4\u03b7\u03c2, \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03b9\u03b1\u03ba\u03ad\u03c2 \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u039a\u03c1\u03ae\u03c4\u03b7\u03c2, \u03b5\u03c0\u03b9\u03bc. \u0392. \u03a4\u03c3\u03b9\u03bd\u03cc\u03c1\u03b5\u03bc\u03b1, \u03c5\u03c0\u03cc \u03ad\u03ba\u03b4\u03bf\u03c3\u03b7.<\/p>\n Zeimbekis, J., \u201cDigital pictures, sampling, and vagueness: the ontology of digital pictures\u201d,\u00a0Journal of Aesthetics and Art Criticism<\/em>\u00a070.1, 2012: 43-53. (\u0397\u03bb. \u03ad\u03ba\u03b4\u03bf\u03c3\u03b7 \u03b5\u03b4\u03ce.<\/a>)<\/p>\n Zeimbekis, J., \u201cThought experiments and mental simulations\u201d, in K. Ierodiakonou & S. Roux,\u00a0Thought Experiments in Methodological and Historical Contexts<\/em>, Leiden: Brill. 193-215. (\u0395\u03ba\u03b4\u03bf\u03c7\u03ae \u03c0\u03c1\u03bf \u03b4\u03b9\u03bf\u03c1\u03b8\u03ce\u03c3\u03b5\u03c9\u03bd\u00a0\u03b5\u03b4\u03ce<\/a>.)<\/p>\n Zeimbekis, J., \u201cPictures and singular thought\u201d,\u00a0Journal of Aesthetics and Art Criticism<\/em>, 68.1, 2010: 11-21. (\u0397\u03bb. \u03ad\u03ba\u03b4.<\/a>)<\/p>\n \u0396\u03b5\u03ca\u03bc\u03c0\u03ad\u03ba\u03b7\u03c2, \u0399., \u00ab\u039f \u03b1\u03bd\u03c4\u03b9\u03bb\u03b7\u03c0\u03c4\u03b9\u03ba\u03cc\u03c2 \u03c1\u03b5\u03b1\u03bb\u03b9\u03c3\u03bc\u03cc\u03c2 \u03ba\u03b1\u03b9 \u03b7 \u03b5\u03be\u03b1\u03b3\u03c9\u03b3\u03ae \u03b1\u03bd\u03c4\u03b9\u03bb\u03b7\u03c0\u03c4\u03b9\u03ba\u03ce\u03bd \u03b5\u03c1\u03bc\u03b7\u03bd\u03b5\u03b9\u03ce\u03bd\u00bb,\u00a0\u039d\u03cc\u03b7\u03c3\u03b9\u03c2<\/em>\u00a06, 2010: 117-125 (\u03b5\u03b9\u03b4\u03b9\u03ba\u03cc \u03c4\u03b5\u03cd\u03c7\u03bf\u03c2 \u03b1\u03c6\u03b9\u03b5\u03c1\u03c9\u03bc\u03ad\u03bd\u03bf \u03c3\u03c4\u03b7 \u03b3\u03bd\u03c9\u03c3\u03b9\u03b1\u03ba\u03ae \u03b4\u03b9\u03b1\u03c0\u03b5\u03c1\u03b1\u03c4\u03cc\u03c4\u03b7\u03c4\u03b1 \u03c4\u03b7\u03c2 \u03b1\u03bd\u03c4\u03af\u03bb\u03b7\u03c8\u03b7\u03c2, \u03b5\u03c0\u03b9\u03bc. \u039a. \u03a0\u03b1\u03b3\u03c9\u03bd\u03b4\u03b9\u03ce\u03c4\u03b7\u03c2 \u03ba\u03b1\u03b9 \u0392. \u039a\u03b9\u03bd\u03c4\u03ae).<\/p>\n Zeimbekis, J., \u201cPhenomenal and objective size<\/a>\u201d,\u00a0No\u00fbs<\/em>\u00a043.2, 2009: 346-362. (\u0397\u03bb. \u03ad\u03ba\u03b4.\u00a0\u03b5\u03b4\u03ce<\/a>\u0387 \u03b5\u03ba\u03b4\u03bf\u03c7\u03ae \u03c0\u03c1\u03bf \u03b4\u03b9\u03bf\u03c1\u03b8\u03ce\u03c3\u03b5\u03c9\u03bd\u00a0\u03b5\u03b4\u03ce<\/a>.)<\/p>\n Zeimbekis, J.,\u00a0Qu\u2019est-ce qu\u2019un jugement esth\u00e9tique?<\/em>, \u03a0\u03b1\u03c1\u03af\u03c3\u03b9, Vrin, 2006 (\u03ba\u03b5\u03c6\u03ac\u03bb\u03b1\u03b9\u03b1 1 & 2\u00a0\u03b5\u03b4\u03ce<\/a>).<\/p>\n Dorsch, F., Stejskal, J., and Zeimbekis, J.,\u00a0Proceedings of the European Society for Aesthetics<\/em>, vol. 3, 2011.<\/p>\n \u0396\u03b5\u03ca\u03bc\u03c0\u03ad\u03ba\u03b7\u03c2, \u0399., \u00ab\u039c\u03af\u03bc\u03b7\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03b8\u03b5\u03c9\u03c1\u03af\u03b1 \u03c4\u03b7\u03c2 \u03c0\u03c1\u03bf\u03c3\u03bf\u03bc\u03bf\u03af\u03c9\u03c3\u03b7\u03c2\u00bb,\u00a0\u03a7\u03c1\u03bf\u03bd\u03b9\u03ba\u03ac \u0391\u03b9\u03c3\u03b8\u03b7\u03c4\u03b9\u03ba\u03ae\u03c2<\/em>\u00a045, 2009: 291-307.<\/p>\n Zeimbekis, J., \u201cLe statut \u00e9pist\u00e9mique des photographies\u201d, inS. Darsel & R. Pouivet,\u00a0Ce que l\u2019art nous apprend<\/em>, Presses Universitaires de Rennes, 2008. 127-139.<\/p>\n Zeimbekis, J., \u201cArt, representation et fiction: un \u00e9tat des lieux\u201d,\u00a0Critique<\/em>\u00a0720, 2007: 268-281.<\/p>\n Zeimbekis, J.,\u00a0Dictionnaire d’Esth\u00e9tique<\/em>, Paris: Armand Colin, 2007. \u039b\u03ae\u03bc\u03bc\u03b1\u03c4\u03b1\u201cRepr\u00e9sentation\u201d, \u201cR\u00e9f\u00e9rence\u201d, \u201cAttitude esth\u00e9tique\u201d, \u201cJugement esth\u00e9tique\u201d, \u201cConduite esth\u00e9tique\u201d, \u201cSatisfaction\u00a0esth\u00e9tique\u201d.<\/p>\n \u0396\u03b5\u03ca\u03bc\u03c0\u03ad\u03ba\u03b7\u03c2, \u0399., \u201c\u03a5\u03c0\u03ac\u03c1\u03c7\u03bf\u03c5\u03bd \u03b1\u03b9\u03c3\u03b8\u03b7\u03c4\u03b9\u03ba\u03ad\u03c2 \u03b1\u03be\u03af\u03b5\u03c2;\u201d,\u00a0\u0394\u03b5\u03c5\u03ba\u03b1\u03bb\u03af\u03c9\u03bd<\/em>\u00a025.1, 2007: 79-95.<\/p>\n Zeimbekis, J., \u201cQu\u2019est-ce que l\u2019esth\u00e9tique analytique?\u201d, in M. Ouelbani,\u00a0La philosophie analytique dans tous ses \u00e9tats<\/em>, Presses Universitaires de Tunis, 2007. 43-58.<\/p>\n Zeimbekis, J.,\u00a0\u201cPropositional attitudes in fiction\u201d<\/a>,\u00a0British Journal of Aesthetics<\/em>, 44.3, 2004: 261-276. (\u0397\u03bb. \u03ad\u03ba\u03b4.<\/a>)<\/p>\n Zeimbekis, J., \u201cPropri\u00e9t\u00e9s esth\u00e9tiques et \u00e9valuation\u201d,\u00a0Revue Francophone d\u2019Esth\u00e9tique<\/em>, 2003.1: 25-47.<\/p>\n Zeimbekis, J.,\u00a0Approches du probl\u00e8me du sens en esth\u00e9tique<\/em>, \u03b4\u03b9\u03b4\u03b1\u03ba\u03c4\u03bf\u03c1\u03b9\u03ba\u03ae \u03b4\u03b9\u03b1\u03c4\u03c1\u03b9\u03b2\u03ae, Ecole des Hautes Etudes en Sciences Sociales, \u03a0\u03b1\u03c1\u03af\u03c3\u03b9, 2000.<\/p>\n Under review Zeimbekis, J., “Nonconceptual modes of presentation”<\/p>\n Zeimbekis, J.,\u00a0Pictures, Perception and Meaning<\/a>.<\/em><\/p>\n Zeimbekis, J.,\u00a0“Memory, perception and non-inferential warrant”<\/a><\/p>\n Zeimbekis, J., “Indiscriminability, identity, and soritic paradoxes”<\/p>\n Other publications (selection)<\/span><\/p>\n \u00ab\u0391\u03c0\u03cc \u03c4\u03bf\u03bd \u03bc\u03cd\u03b8\u03bf \u03c3\u03c4\u03bf \u03bb\u03cc\u03b3\u03bf\u00bb<\/a>,\u00a0\u0392\u03ae\u03bc\u03b1 \u0399\u03b4\u03b5\u03ce\u03bd<\/em>, 07 \u039c\u03b1\u03ca\u03bf\u03c5 2010.<\/p>\n \u00ab\u0397 \u03ad\u03bd\u03bd\u03bf\u03b9\u03b1 \u03c4\u03b7\u03c2 \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2\u00bb<\/a>,\u00a0Cogit\u03bf<\/em>\u00a07, 2008.<\/p>\n
\n\u0392.\u0391. (Hons.), Philosophy, Trinity College, Dublin.
\nPhD., Philosophy, Ecole des Hautes Etudes en Sciences Sociales, Paris.
\nMellon Postdoctoral Fellow in Philosophy, University of Pennsylvania.<\/p>\n
\n<\/span><\/p>\n